Fleda fully assented. "I said of our disembodied friend here that she had suffered in proportion as she had been sure. But that's not always a source of suffering. It's Mona who must have been sure!" Mrs. Gereth stared; the cloud gathered in her face again. "Why, in the name of goodness, when you adore him? I know what you see in him," she declared in another tone. "You're right!"!

This appeal had evidently a certain effect; Mrs. Brigstock visibly wavered. "I can't talk with him whenever I like," she returned; "he hasn't been near us since I don't know when. But there are things that have brought me here." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

"I can't tell you what it is to me to feel you on my side!" Owen exclaimed. "It has lasted long enough for my purpose. There was something I wanted to know, but I think I know it now." Mrs. Gereth drank off her second cup. "And you're not afraid now?"